Second Capsule:
A standout was Onward Lossless Follows, mixing strobe-lit euphorias with scenes of illicit desire: abductress and beloved, stud and voyeur.
Third Capsule:
Even better: Dislocation Blues, a record of Standing Rock protests that honored reality but heightened its affects via color, angles, light.
VOR:③
These two films and the Walter Benjamin-inspired Phantasiesätze feel exploratory in relation to image, montage, vantage. Others much less distinctive.
