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Jurors: Gong Li (president), Jacques Audiard, Ulrich Felsberg, László Kovács, Francesca Neri, Yesim Ustaoglu, Yevgeni Yevtushenko
Golden Lion: | The Magdalene Sisters, UK, dir. Peter Mullan |
Special Jury Prize: | House of Fools, Russia, dir. Andrei Konchalovsky |
Best Director: | Oasis, South Korea, dir. Lee Chang-dong |
Best Actress: | Far from Heaven, Julianne Moore |
Best Actor: | A Journey Called Love, Stefano Accorsi |
Marcello Mastroianni Award: | Oasis, Moon So-ri |
Individual Contribution: | Far from Heaven, Ed Lachman (cinematography) |
FIPRESCI Prize: | Oasis, South Korea, dir. Lee Chang-dong |
SIGNIS Award: | Oasis, South Korea, dir. Lee Chang-dong |
Future Film Festival Digital Award: | Blood Work, USA, dir. Clint Eastwood |
Competition Films I Have Seen:
Ranked in order of preference
My Golden Lion:
Oasis (South Korea, dir. Lee Chang-dong) -
From a premise that should repel, Lee concocts an indelible semi-romance with bursts of sudden poetry and the teeth of a saw.
Far from Heaven (USA, dir. Todd Haynes) -
Screen feels like plate glass; lensing only stiffens already-inert movie. Hanks, Mendes well outside their zones.
The Magdalene Sisters (UK, dir. Peter Mullan) -
Not the freshest conception or most finessed style, but its carefully heightened realism packs a real punch.
Frida (USA, dir. Julie Taymor) -
Was the set awash with imaginative excitement or was everyone asking for clearer direction? Best passages are nuttiest ones.
Dirty Pretty Things (UK, dir. Stephen Frears) -
Tense. Brims with talented actors but script feels schematic, especially at climax. Frears is so hit-and-miss.
Road to Perdition (USA, dir. Sam Mendes) -
Screen feels like plate glass; lensing only stiffens already-inert movie. Hanks, Mendes well outside their zones.
Competition Films I'm Curious to See:
Ranked in order of interest; more on this year's lineup here (opens in a new window)
Dolls, Japan, dir. Takeshi Kitano
The Tracker, Australia, dir. Rolf de Heer
House of Fools, Russia, dir. Andrei Konchalovsky
Man on the Train, France, dir. Patrice Leconte
Julie Walking Home (The Healer), Germany/Canada/Poland/USA, dir. Agnieszka Holland
Sidebar Films:
Full info not readily available about non-competition screenings. If you've got the scoop, let me know!
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